It is still far better than using the cartridge in the headshell and also risking damage to the cantilever/cartridge during set up.
However, with my vdH cartridges sounding best when the arm is raised in back, to get proper alignment, this places the jig at an angle where only the front edge hits the grid sheet. I find this tool works best when the armtube is close to level allowing the clear metal jig to lie flat on the grid sheet.
That is, the two sides each flare out slightly toward the back, and the headshell edges are high above the grid plane, so your tool is much easier and accurate. This solves one problem I found with my original SME 3012R headshell: The sides are not perfectly parallel. I like the long straight sides that are parallel to each other for easy sighting and alignment. You will be able to read his impressions in Music Emotion in December.This is a nice tool, David. In other companies it is called business development, we call it listening for music.Īt the end René was overwhelmed by the sound and the music. A real brainstorming weekend that will have effects in the near future of the company. The discussions were long, the interviews interesting the ideas astonishing. BTW, how do You like the title for the CD (SACD maybe?) "Groove into bits"? It reflects the way we recorded it: mastering directly from the turntable :-) We also had a short taste of the first songs and they sound really "analog". Cabling: of Cammino Reference Stage Loudspeaker and Reference Interconnectĭuring the days we had as well found some music ideas for the future Blumenhofer Acoustics CD, and I tell You, even if the first CD has not jet come on the market, we are already looking forward for the second. We have listened, discussed and drunk a lot of coffee. With him were Fritz de With, Lars Dam and Cor Kleijn. van Es - Freelance Journalist of Music Emotion - has spent the weekend with us in Walkertshofen.
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